Francisco Colasanto is writing the second volume of his book. ISBN: pending. All rights reserved. Translation: Roberto Becerra.

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On Friday, Javier Alvarez Mexico presented a lecture exploring compositional strategies for combining instrumental and electroacoustic sounds, and Thomas Gardner United Kingdom gave a workshop on cello and real-time electronics. The Ensemble S:I. Complementing the concert the previous evening, Hans Tutschku Germany presented an analysis of his piece Das Bleierne Klavier.
The evening concert presented works using electroacoustics and violoncello, with cellists Thomas Gardner and Iracema de Andrade performing. One of the noteworthy aspects of the festival was the series of regional overviews presented by various guest composers.
These provided an excellent introduction to both current and historical activities in many parts of the world. Edson Zampronha offered a Brazilian answer to new challenges in recent electroacoustic music. On Thursday I presented a lecture on Canadian electroacoustic music. Considering the limited time frame allotted one hour I tried to offer some degree of overview balanced with some degree of historical perspective.
Excerpts that I played included:. In addition to playing musical excerpts, I spoke a bit about some of the regional activity in Canada, mentioning many of the studios and giving a bit of background on their history and development.
A brief question and answer session closed the presentation. Visiones Sonoras was well-organized and remarkably diverse. I look forward to future editions of the festival. Social top email facebook twitter English.
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Francisco Colasanto

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