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Rosalind E. Yve-Alain Bois. A landmark in art history and the most anticipated art publishing event of the new millennium. In this groundbreaking and original work of scholarship, four of the most influential and provocative art historians of our time have come together to provide a comprehensive history of art in the twentieth century, an age when artists in the United States, Europe, and elsewhere A landmark in art history and the most anticipated art publishing event of the new millennium.
In this groundbreaking and original work of scholarship, four of the most influential and provocative art historians of our time have come together to provide a comprehensive history of art in the twentieth century, an age when artists in the United States, Europe, and elsewhere sought to overturn the traditions of the past and expectations of the present in order to invent new practices and forms. Adopting a unique year-by-year approach, Foster, Krauss, Bois, and Buchloh present more than 50 short essays, each focusing on a crucial event--the creation of a seminal work, the publication of an artistic manifesto, the opening of a major exhibition--to tell the story of the dazzling diversity of practice and interpretation that characterizes the art of the period.
All the turning points and breakthroughs of modernism and postmodernism are explored in depth, as are the frequent and sustained antimodernist reactions that proposed alternative visions of art and the world.
Illustrating the authors' texts are more than of the most important works of the century, many reproduced in full color. The book's flexible structure and extensive cross-referencing allow readers to follow any one of the many narratives that unfold, whether that be the history of a medium such as photography or painting, the development of art in a particular country, the influence of a movement such as surrealism or feminism, or the emergence of a stylistic or conceptual category like abstraction or minimalism.
Boxes give further background information on the important figures and issues. In their insightfulintroductions, the four authors explain the different methods of art history at work in the book, providing the reader with the conceptual tools for further study.
A roundtable discussion at the close of the book considers the questions raised by the preceding decades and look ahead to the art of the future. A glossary of terms and concepts completes this extraordinary volume.
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Rating details. More filters. Sort order. Jun 30, Ashleigh rated it really liked it. Used this book for my Contemporary Art class. Great for anyone needing a crash course on Modern Art. Sadly, like most art books, very little coverage on African American artists. Oct 04, Jason marked it as to-read Shelves: backburner. Mandy rated it it was amazing Oct 28, Nicole Chen rated it really liked it Apr 01, Luca rated it it was amazing Jan 10, Balaclava Nine rated it it was amazing Oct 17, Heather rated it it was amazing Aug 21, Feldman rated it it was amazing Oct 28, Amani Bryant rated it it was ok Nov 22, Melissa rated it it was amazing Sep 16, Teodora rated it it was amazing Oct 07, Jasmine Wang rated it liked it Sep 02, Jose G.
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Readers also enjoyed. About Hal Foster. Hal Foster. Note: for the comic book artist, see Harold "Hal" Foster. Books by Hal Foster. As dedicated readers already know, some of the best and most innovative stories on the shelves come from the constantly evolving realm of young ad Read more Trivia About Art Since M No trivia or quizzes yet.
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Art since 1900 : modernism, antimodernism, postmodernism. Volume 2, 1945 to the present
Here's an exceptional rarity: a large, sweeping art history text book so well-done it almost makes the reader wish she or he were back in school. It's rather amazing that it took so long for a book like Art Since Modernism, Antimodernism, and Postmodernism to exist: a balanced, seven hundred page historical tome written with multiple perspectives in mind. As any undergrad knows, H. Janson's ubiquitous History of Art was written as if art history were some sort of race to colonize ideas and imagery; you'll likely not miss Janson's fetish for pointing out who did what first. Penned by a nimble crew who all teach at Ivy League universities, Art Since , which mirrors the development of psychoanalysis and the creation of a huge international art scene, is on a smaller scale a history of contemporary theory and the art world almost as much as it is the art itself. Attention is paid throughout to important exhibits and texts, pointing out the rippling effect throughout the art community of these mirrors and portals. The book is arranged so that there are one or two essays per year.
ISBN 13: 9780500289532
Art Since 1900